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D’ARIENZO STYLE

December 29, 2018 Posted by Turco Suaya In : Tango

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Is essentially dance with a perfect, regular, effective beat, imbued with true Porteño-style arrogance that allows the Milonguero or dancer to adhere closely to the music.

It’s almost more about what you shouldn’t do than what you should, and that is why the aim of this dance seminar is to reaffirm the King of the Beat and his great orchestra for their supremacy in keeping tempo, not to mention their melodies, and by all means also their conservatism with regard to tango etiquette, a cultural legacy that forms part of the being and identity of our “Milongueros”.

Precise and effective as the music that spanned the end of the Old and New Guard periods and reinforced the Old Guard, this style burst onto the scene where it remained until the late 1970s, dazzling with its accents and adorning with variations which have made D’Arienzo Tango music and style iconic throughout the world.

Es materialmente el baile, su métrica perfecta no alterada, eficaz y sobradora de ley porteña, autoriza al milonguero o bailarín de pista a respetarlo, casi diría es más lo que no debe hacerse que lo contrario, por eso el objetivo de este Seminario de Baile es devolverle al Rey y su gran Orquesta nuestra garantía como tempistas y, porque no, melódicos y desde ya conservadores entendiendo los códigos de pista en un rincón legado y cultural del ser e identidad de nuestros llamados “ Milongueros”.

Preciso y eficaz como la música que abarca los finales de períodos de Guardias y refuerza la Guardia Vieja y entra como un toro hasta el casi final de los años 70 brillando con acentos, rematando con variaciones formulando los tutis y cabreros como un ícono que representa su música de Tango y Estilo en el Mundo entero.

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